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Open a larger version of the following image in a popup: Francisco Sobrino, Transformation instable, 2014
Open a larger version of the following image in a popup: Francisco Sobrino, Transformation instable, 2014
Open a larger version of the following image in a popup: Francisco Sobrino, Transformation instable, 2014
Open a larger version of the following image in a popup: Francisco Sobrino, Transformation instable, 2014
Open a larger version of the following image in a popup: Francisco Sobrino, Transformation instable, 2014
Open a larger version of the following image in a popup: Francisco Sobrino, Transformation instable, 2014
Open a larger version of the following image in a popup: Francisco Sobrino, Transformation instable, 2014
Open a larger version of the following image in a popup: Francisco Sobrino, Transformation instable, 2014
Open a larger version of the following image in a popup: Francisco Sobrino, Transformation instable, 2014

Francisco Sobrino

Transformation instable, 2014
Acier poli, miroir
H 600 x 180 x 180 cm
Photo: JC Lett
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Dès le début des années 1960, Sobrino utilise le Plexiglas transparent fumé ou coloré pour réaliser ses œuvres. La superposition et la juxtaposition de formes géométriques simples donnent naissance à...
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Dès le début des années 1960, Sobrino utilise le Plexiglas transparent fumé ou coloré pour réaliser ses œuvres. La superposition et la juxtaposition de formes géométriques simples donnent naissance à des compositions complexes, faisant jouer espace et lumière avec le déplacement du spectateur. En 1963, l’artiste décide de réaliser des modules géométriques avec un matériau permettant une exposition en extérieur. Cette nouvelle série en acier poli miroir est intitulée Structures permutationnelles. Les surfaces réfléchissantes de l’œuvre lui permettent de s’intégrer complétement dans l’espace environnant.

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