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Artworks

Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006

Monica Bonvicini

Stonewall, 2006
Galvanized steel, chains, reinforced glass
H 78 3/4 x 48 3/8 x 39 3/8 in
Photo: JC Lett
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The Stonewall series was started in 2001, following the riots sur- rounding the G8 summit in Genoa that year. By combining a metallic barrier and broken glass, this piece draws...
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The Stonewall series was started in 2001, following the riots sur- rounding the G8 summit in Genoa that year. By combining a metallic barrier and broken glass, this piece draws together a symbol of power – the barriers that hold back the crowds – and the broken windows that result from a violent reaction to it. Beyond this symbolism, Monica Bonvicini accentuates the psychological tension inherent in the materials used in modern architecture.

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