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Artworks

Open a larger version of the following image in a popup: Lynn Chadwick, Crouching Beast II (C108), 1990
Open a larger version of the following image in a popup: Lynn Chadwick, Crouching Beast II (C108), 1990
Open a larger version of the following image in a popup: Lynn Chadwick, Crouching Beast II (C108), 1990
Open a larger version of the following image in a popup: Lynn Chadwick, Crouching Beast II (C108), 1990
Open a larger version of the following image in a popup: Lynn Chadwick, Crouching Beast II (C108), 1990
Open a larger version of the following image in a popup: Lynn Chadwick, Crouching Beast II (C108), 1990
Open a larger version of the following image in a popup: Lynn Chadwick, Crouching Beast II (C108), 1990
Open a larger version of the following image in a popup: Lynn Chadwick, Crouching Beast II (C108), 1990
Open a larger version of the following image in a popup: Lynn Chadwick, Crouching Beast II (C108), 1990
Open a larger version of the following image in a popup: Lynn Chadwick, Crouching Beast II (C108), 1990

Lynn Chadwick

Crouching Beast II (C108), 1990
Welded stainless steel
H 13 x 11 x 22 7/8 in
Edition of 9, n°2/9
Photo: JC Lett
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The iron and bronze sculptures created by Lynn Chadwick portray sim- plified zoomorphic or anthropomorphic figures and are imbued with a powerful emotional charge. His approach to sculpting was rooted...
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The iron and bronze sculptures created by Lynn Chadwick portray sim- plified zoomorphic or anthropomorphic figures and are imbued with a powerful emotional charge. His approach to sculpting was rooted in construction rather than in modelling. In Crouching Beast, geometry supplants a more organic form. We are faced with the monumental form of a seated animal, which appears to survey its surroundings.

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