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    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006
    Open a larger version of the following image in a popup: Monica Bonvicini, Stonewall, 2006

    Monica Bonvicini

    Stonewall, 2006
    Galvanized steel, chains, reinforced glass
    H 78 3/4 x 48 3/8 x 39 3/8 in
    Photo: JC Lett
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EMonica%20Bonvicini%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EStonewall%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2006%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EGalvanized%20steel%2C%20chains%2C%20reinforced%20glass%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EH%2078%203/4%20x%2048%203/8%20x%2039%203/8%20in%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 2 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 3 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 4 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 5 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 6 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 7 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 8 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 9 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 10 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 11 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 12 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 13 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 14 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 15 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 16 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    The Stonewall series was started in 2001, following the riots sur- rounding the G8 summit in Genoa that year. By combining a metallic barrier and broken glass, this piece draws...
    Read more

    The Stonewall series was started in 2001, following the riots sur- rounding the G8 summit in Genoa that year. By combining a metallic barrier and broken glass, this piece draws together a symbol of power – the barriers that hold back the crowds – and the broken windows that result from a violent reaction to it. Beyond this symbolism, Monica Bonvicini accentuates the psychological tension inherent in the materials used in modern architecture.

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