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    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014
    Open a larger version of the following image in a popup: John M. Armleder, Untitled (4 chairs), 1986-2014

    John M. Armleder

    Untitled (4 chairs), 1986-2014
    Wood
    Variable dimensions
    Photo: JC Lett
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    %3Cdiv%20class%3D%22artist%22%3EJohn%20M.%20Armleder%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUntitled%20%284%20chairs%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1986-2014%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EWood%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EVariable%20dimensions%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 2 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 3 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 4 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 5 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 6 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 7 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 8 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 9 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 10 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 11 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 12 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 13 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 14 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 15 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    • (View a larger image of thumbnail 16 ) José León Cerrillo, Subtraction Screen (DdM), 2017
    Following in the wake of Duchamp’s readymades,the artist has suspended four ordinary chairs from the tops of trees in the grounds. This absurd gesture is faithful to the philosophy of...
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    Following in the wake of Duchamp’s readymades,the artist has suspended four ordinary chairs from the tops of trees in the grounds. This absurd gesture is faithful to the philosophy of the Ecart group, founded by Armleder in 1968. Through simple and deliberately humorous associations, Armleder challenges the notion and the status of works of art, a chair perched at the top of a tree thus becoming a monumental sculpture. The sacred aspect of art is here set aside in favour of the pleasure of playfulness and the unexpected.

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